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REVIEW: ‘Bruno’ quickly goes out of style
The problem with "Bruno" is Bruno himself. Compared to Borat — and it's impossible to avoid the comparison — there simply isn't enough to the character to build an entire feature-length film around him. Both spring from the brash and creative mind of British comic Sacha Baron Cohen, who unleashed them upon the world through his sketch comedy program "Da Ali G Show." Borat, the bumbling journalist at the center of the 2006 smash "Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan," provided a prism through which to explore people's prejudices, hypocrisies and foibles. Sure, Baron Cohen frequently shot fish in a barrel, but as Borat traveled across the United States trying to understand what makes us tick, the uncomfortable discoveries he made seemed endless. More importantly, for a comedy, they were usually funny. Bruno is a one-joke character in a one-joke movie, and it's a joke Baron Cohen beats into the ground. He's a flamboyantly gay Austrian fashion correspondent who repeatedly shocks people with his flamboyant gayness. The end.
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